CULTURE IN A GLASS – INSIDE THE 17TH HONG KONG INTERNATIONAL WINE AND SPIRITS FAIR BY ANAMIKA JOSEPH

CULTURE IN A GLASS: INSIDE THE 17TH HONG KONG INTERNATIONAL WINE & SPIRITS FAIR
WHERE TRADITION AND INNOVATION MEET, ONE SIP AT A TIME.

Anamika Joseph

In house curator (WSCI) Wine & Spirits Club of India

When a city hosts a wine and spirits fair, it becomes more than a venue for bottles, brands, and trade deals. It transforms into a living cultural exchange, a place where stories are poured, heritage is tasted, and identity is expressed through aroma and flavour and shared experience.
That was the unmistakable atmosphere at the 17th Hong Kong International Wine & Spirits Fair, held this season with an energy that felt both international and deeply personal.
Across three days between November 6 and 8, the event welcomed over 620 exhibitors from 23 countries and regions. Wines, baijiu, sake, whisky, vodka, gin, rum, and low-alcohol innovations filled the halls, but what stood out most was not the scale. It was the tone, youthful, open, curious and beautifully cross-cultural.
The “World of Spirits” Zone
This year marked the debut of the ‘World of Spirits’ zone, a concentrated showcase representing spirits from 14 different countries. The area pulsed with discovery. Here, you could watch a bartender craft a baijiu highball at one booth and two steps later, sample a Tasmanian single malt finished in Muscat casks.
The message was clear: spirits today are no longer defined by their geography but by the stories they choose to tell.
Chinese baijiu, in particular, stepped into the spotlight with renewed intention. Six of the top Chinese baijiu brands exhibited this year, and the emphasis was distinctly modern: lighter styles, fresher branding, approachable flavour profiles, and bottle designs that blended cultural heritage with contemporary aesthetics.
Luzhou Laojiao’s launch of ‘Guojiao 1573’ was a striking example. With a bottle design incorporating iconic Hong Kong landmarks, it presented baijiu not just as a drink, but as a cultural symbol, a bridge between past and present, tradition and reinvention.
This shift reflects a rising desire among younger consumers to connect with their heritage, but in ways that feel relevant, intentional, and expressive.
CULTURE IN A GLASS
CULTURE IN A GLASS
Wine, Rediscovered and Reimagined
While spirits rose in prominence, wine held its ground with elegance. The fair’s tasting sessions, led by renowned Masters of Wine, reminded visitors that wine culture is evolving beyond geography and pedigree. Guests explored terroir-driven wines from regions like Ningxia and Xinjiang in China, alongside Japanese sake, Hungarian whites, and refined Tasmanian reds.
It was less about comparing ‘old world vs. new world’ and more about experiencing how climate, soil, and human hands shape emotion into taste. At one table, an Israeli winery introduced selections that delighted the attendees, many of whom admitted they tasted Israeli wine for the first time. Curiosity outshone assumption.
Wine was not presented as an elite pursuit, but as a conversation: open, exploratory and deeply personal.
Local Craft, Global Confidence
What may have been most exciting, however, was the ascendance of Hong Kong’s own craft distillers. Brands like Kowloon Distillery and Two Moons displayed a confidence and identity that suggested Hong Kong is no longer just a marketplace for global beverages; it is also a creator of global beverage brands.
These distillers are not mimicking global styles; they are creating their own. Citrus-forward gin rooted in Cantonese botanical storytelling. Whisky expressions shaped by local water, climate, and urban ageing conditions. A cultural voice, distilled.
Buyers as Cultural Interpreters
The energy on the trade floor was less transactional and more strategic. Buyers were not just purchasing, they were curating experiences for audiences back home. A Malaysian distributor expanded baijiu offerings to meet emerging interest. A Korean buyer who came seeking Portuguese wines ended up placing an unexpected order for Australian selections, moved by flavour and originality rather than reputation.
It illustrated a shift happening worldwide: taste is now global, and consumers are ready to explore. Across continents, the language of trade is shifting from volume to values, and from trends to authenticity.
Mood Shifted When Public Arrived
On the final day, the fair opened to the public, and more than 11,000 enthusiasts poured in. The halls became a social space, a tasting journey, a playground of curiosity. At the mixology party, bartenders from award-winning Asian bars crafted cocktails like performance art, turning spirits into conversation pieces.
It was no longer an industry event; it was culture in motion. Across all categories, one truth stood out: people today are not drinking more; they are drinking more meaningfully.
They want stories behind the glass, authenticity behind the brand, a sense of identity and belonging, and experiences that feel personal, not performative.
Wine and spirits are becoming less about indulgence and more about connection.
A City in Conversation With World
Hong Kong has long been a crossroads, a place where influences intersect, evolve, and transform. This year’s Wine & Spirits Fair was a reflection of that identity: multicultural, dynamic, and willing to challenge the old in pursuit of the new.
Standing in that space, one could taste the city itself: open-minded, expressive, modern, rooted, and always reaching outward. Because in the end, whether one is swirling, sipping, tasting, or toasting, the real essence isn’t in the glass; it is in the stories shared around it.